Yes! I hope she at least gets to play one of the magicians instead one of the agents trailing them (though I kind of doubt that). That's what I'm hoping for; that she'll understand the story I'm wanting to tell and want to do it. I think Aviva's the kind of character she'd like to play (it's either Mel or Eva Green; those are the only two who can play her).
Aw, well as long as I can prattle on at you about RD as I do with everyone else who will listen, then you'll be of plenty help.
I'm really counting on that. Be it arrogance or ego or whatever, I have set in my head that I can persuade them both to do it. And definitely with Fassy, it'd be more of a question of him having time now that he is doing some pretty big budget projects (especially franchise work with X-Men).
YES. Though judging by Mel's stories of working with Dan and by the few behind-the-scenes videos of IB I've found, I'm betting that Quentin has all evidence of their discovery and You're-so-German-You're-so-French fights are all secreted away in his film collection. I wouldn't doubt that he filmed a Sho/Fred love scene which the conveniently found its way out of the final print.
I had this fantastic class in high school that combined English and History together, so what we read in English pertained to what we were learning in History. We read Fitzgerald and Trumbo, which is what got me into them. Trumbo's story is so fascinating, isn't it? I need to get a copy of Night of the Aurochs, as it's out of print. I need to be careful, though, as some editions have extra notes and outlines at the end, which is the one I want, and others don't. My dad always liked Duras, both her books and film adaptations. What he likes about her work (and what I like) is that aside from writing based off of her personal experiences, she always wrote of women in situations and relationships with what was called "the Other", such as the French woman in Hiroshima mon amour who was in love with both a Japanese man and her previous, first love during WWII with a German soldier. Duras wrote in such a way that didn't make the Other out to be something foreign or exotic; she just has a very human, honest way of writing. Ha! I've found that people get far more critical with taste in literature than any other form of media. My brother, the English major, is the perfect example of that.
Hopefully it works out for Dan and Howard. Since Rush is slated for a 2013 release and Now You See Me for 2014, I gotta make sure I have my screenplay ready to go by early next year. Then I can make my move before either one reaches Fassy heights of fame. They totally would have. Ugh, can you imagine him photographed in that gorgeous, black and white style back then? Unfortunately for those girls, he'd have run away with a certain French Jewish woman.
no subject
Aw, well as long as I can prattle on at you about RD as I do with everyone else who will listen, then you'll be of plenty help.
I'm really counting on that. Be it arrogance or ego or whatever, I have set in my head that I can persuade them both to do it. And definitely with Fassy, it'd be more of a question of him having time now that he is doing some pretty big budget projects (especially franchise work with X-Men).
YES. Though judging by Mel's stories of working with Dan and by the few behind-the-scenes videos of IB I've found, I'm betting that Quentin has all evidence of their discovery and You're-so-German-You're-so-French fights are all secreted away in his film collection.
I wouldn't doubt that he filmed a Sho/Fred love scene which the conveniently found its way out of the final print.I had this fantastic class in high school that combined English and History together, so what we read in English pertained to what we were learning in History. We read Fitzgerald and Trumbo, which is what got me into them. Trumbo's story is so fascinating, isn't it? I need to get a copy of Night of the Aurochs, as it's out of print. I need to be careful, though, as some editions have extra notes and outlines at the end, which is the one I want, and others don't. My dad always liked Duras, both her books and film adaptations. What he likes about her work (and what I like) is that aside from writing based off of her personal experiences, she always wrote of women in situations and relationships with what was called "the Other", such as the French woman in Hiroshima mon amour who was in love with both a Japanese man and her previous, first love during WWII with a German soldier. Duras wrote in such a way that didn't make the Other out to be something foreign or exotic; she just has a very human, honest way of writing.
Ha! I've found that people get far more critical with taste in literature than any other form of media. My brother, the English major, is the perfect example of that.
Hopefully it works out for Dan and Howard. Since Rush is slated for a 2013 release and Now You See Me for 2014, I gotta make sure I have my screenplay ready to go by early next year. Then I can make my move before either one reaches Fassy heights of fame.
They totally would have. Ugh, can you imagine him photographed in that gorgeous, black and white style back then?
Unfortunately for those girls, he'd have run away with a certain French Jewish woman.