That reminds me of when the Deftones released White Pony, which was very different from their previous work and ended up winning over a wider audience. I didn't mind, but my friends immediately bought it when they didn't care before, especially since I had been a fan for quite some time (it's still the only Deftones album they own, too).
I've been told that, too! Usually of the "stop taking fiction so seriously" variety, but still.
I'd love to see Fredrick's reaction, and definitely, he would come to terms with it and still love her. It makes me think of the restaurant scene and how she was pleading with him silently to get her out of there; she does trust him on some level, and it's more than just for her own survival. I think she'd ultimately be devastated if he did end up turning on her. I ended up having two interesting dreams about all of that: the first one involved Shosanna, as Emmanuelle, getting closer to Fredrick. She ends up sleeping with him, and though she attempted to rationalize it as a means to secure her plan and keep him on her side, she ended up blurting out her real identity to him. In the middle of having sex. He stops, but briefly, before continuing much more slowly and gently. The other was him finding out at the lunch with Goebbels, leading to him wanting to protect her and an ensuing Mexican stand-off with the rest of the table. He and Shosanna survive, but he ends up wounded in the shoulder, and she gets him out of there to care for him.
Not to be pushy, but I finished posted that projection booth fic: http://suspiriorum.livejournal.com/115202.html My friend, after reading it, asked me, "How did you turn this sexual? They were dying!"
Keeping an eye on detail, after having it drilled into me after years of art lessons, has had me take special care with what would or could go wrong with my own writing. It's amazing how it's those little things that can really make or break a work of art.
I almost regret not catching that detail with the bare feet until after I had written that analyzation on the projection booth scene. As I've gone on before, it also helps tie into how Bridget's death was a violation. I'd like to make a picspam of Shosanna/Fredrick with quotes from Quentin, and maybe I'll have to include that, too. Or a compare/contrast scene of the projection booth/Bridget's death. Idk, I have the urge to do something with that. I've found it's easier for people to accept when I segue into it by pointing out the close-ups of Uma's feet in PF and KB, and all of the bare feet in Death Proof. Then I go into Bridget's death and the projection booth scene; people seem receptive to it, and are mostly amazed that QT utilizes bare feet in such a way. I noticed it initially with DP, seeing as how it was supposed to be a grindhouse film (and those generally utilized all sorts of female nudity). Quentin had said it's his version of a rape/revenge film, which were immensely popular in the '70s, and instead of seeing vicious sexual assault, there's a car brutally murdering young women and bare feet on parade rather than conventional nudity.
August is going to have remind Dan that Chris isn't the one helping him sort out his love life concerning a certain French actress. But then, Chris is Thor and Thor would certainly want to help. August refuses to see The Avengers now.
no subject
I've been told that, too! Usually of the "stop taking fiction so seriously" variety, but still.
I'd love to see Fredrick's reaction, and definitely, he would come to terms with it and still love her. It makes me think of the restaurant scene and how she was pleading with him silently to get her out of there; she does trust him on some level, and it's more than just for her own survival. I think she'd ultimately be devastated if he did end up turning on her. I ended up having two interesting dreams about all of that: the first one involved Shosanna, as Emmanuelle, getting closer to Fredrick. She ends up sleeping with him, and though she attempted to rationalize it as a means to secure her plan and keep him on her side, she ended up blurting out her real identity to him. In the middle of having sex. He stops, but briefly, before continuing much more slowly and gently.
The other was him finding out at the lunch with Goebbels, leading to him wanting to protect her and an ensuing Mexican stand-off with the rest of the table. He and Shosanna survive, but he ends up wounded in the shoulder, and she gets him out of there to care for him.
Not to be pushy, but I finished posted that projection booth fic: http://suspiriorum.livejournal.com/115202.html
My friend, after reading it, asked me, "How did you turn this sexual? They were dying!"
Keeping an eye on detail, after having it drilled into me after years of art lessons, has had me take special care with what would or could go wrong with my own writing. It's amazing how it's those little things that can really make or break a work of art.
I almost regret not catching that detail with the bare feet until after I had written that analyzation on the projection booth scene. As I've gone on before, it also helps tie into how Bridget's death was a violation. I'd like to make a picspam of Shosanna/Fredrick with quotes from Quentin, and maybe I'll have to include that, too. Or a compare/contrast scene of the projection booth/Bridget's death. Idk, I have the urge to do something with that. I've found it's easier for people to accept when I segue into it by pointing out the close-ups of Uma's feet in PF and KB, and all of the bare feet in Death Proof. Then I go into Bridget's death and the projection booth scene; people seem receptive to it, and are mostly amazed that QT utilizes bare feet in such a way. I noticed it initially with DP, seeing as how it was supposed to be a grindhouse film (and those generally utilized all sorts of female nudity). Quentin had said it's his version of a rape/revenge film, which were immensely popular in the '70s, and instead of seeing vicious sexual assault, there's a car brutally murdering young women and bare feet on parade rather than conventional nudity.
August is going to have remind Dan that Chris isn't the one helping him sort out his love life concerning a certain French actress. But then, Chris is Thor and Thor would certainly want to help. August refuses to see The Avengers now.