Shosanna had her life and identity ripped away from her and has to be as guarded as possible out of necessity for survival, so to relive her trauma repeatedly with Goebbels, Landa, and to an extent, Zoller, cannot be easy (which is putting it lightly). The stunning Cat People sequence and the projection booth scene perfectly expressed Shosanna's inner turmoil, but I really wanted to explore what would push her and Fredrick to the edge. She wants to see her revenge through but knowing Fredrick is the wrench in her plans, yet she also can't let those monsters get away with their crimes. Overall, it's a tragic situation with no simple solutions.
I'm glad I was able to get that to come across, as I fretted over every detail! And the script has proven to be an invaluable resource, particularly when it comes to Shosanna/Fredrick.
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Shosanna had her life and identity ripped away from her and has to be as guarded as possible out of necessity for survival, so to relive her trauma repeatedly with Goebbels, Landa, and to an extent, Zoller, cannot be easy (which is putting it lightly). The stunning Cat People sequence and the projection booth scene perfectly expressed Shosanna's inner turmoil, but I really wanted to explore what would push her and Fredrick to the edge. She wants to see her revenge through but knowing Fredrick is the wrench in her plans, yet she also can't let those monsters get away with their crimes. Overall, it's a tragic situation with no simple solutions.
I'm glad I was able to get that to come across, as I fretted over every detail! And the script has proven to be an invaluable resource, particularly when it comes to Shosanna/Fredrick.