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HE WON!
As if there was any doubt, of course.
When Steve Martin referenced Hans Landa, then gestured to the entire audience and told Christoph, "Well?", I completely lost it.
Also, my mother must inform me that she thinks Christoph is hot.
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What a coincidence, I just sent you an e-mail!
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When he did his Bafta speech, she kind of did a double-take and said "ooh, he's a bit of a hottie isn't he!".
The funny thing is i've never even heard my mum use that word before XD
At least I know she has taste though ;)
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Watching him tonight, she remarked, "He looks better without the beard."
Funnily enough, one of her favorite scenes in Inglourious Basterds is seeing him get his forehead carved up.
I can't find his appeal as Landa, but as himself, he's quite lovely. And humble! I love that he's so genuinely happy to be there! He and his wife were so lovely, too.
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SHE IS SO, SO AMAZING AND GIVES ME HOPE.
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I'm not a fan of the beard, but he is a bit of a sexy beast :).
\o/
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I know my parents quite liked Agent Orange, along with his American '80s films.
Oh, and Nighthawks! I nearly forgot that one. That was his first American film, I believe. He and Stallone were both excellent in that one.
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I'm just now starting to see his appeal, because as Landa, he creeped me out to such a degree that I had a hard time separating him from the character (I suppose it could be a testament to his talent?).
I can't wait to see him in Cronenberg's new film!
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He's all hot and sweatyyyyyyy....
Re: He's all hot and sweatyyyyyyy....
It's strange to hear your own mother tell you who's hot.
She also wants Fredrick Zoller as a son-in-law.
Oh, and Christoph stupidly dropped out of Cronenberg's new film with Fassbender. But, Viggo has replaced him, so I can't say I'm too disappointed.
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They're both complementary to each other and could, if you wanted, make a fine doublefeature.
Both films rely on his physicality and his expressions more than dialogue, which is something that sells me on a performance; not how one delivers lines, but how they embody the character.
In both films, he is an antagonist who forms nearly symbiotic relationships with the protagonist. In Nighthawks, he's a terrorist who Stallone is aboslutely crazed about catching; in The Hitcher, he purposely seeks out C. Thomas Howell's character and is unrelenting in tormenting everyone else around them, as he wants Howell to kill him.
I get absolutely excitable when watching these performances of Hauer in particular, and the supporting casts are also up to the task. Everyone just hits their mark, which helps both films to transcend beyond being an action film and a horror film.
I love the climaxes of both films, which had me on edge on my first viewings and they still have an effect me on repeated viewings.
I'm prattling on, but this scene in Nighthawks:
And from The Hitcher:
These are major reasons why I recommend them. Aside from Blade Runner, those are the two perfect films to become acquainted with Rutger.
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