19 December 2009 @ 01:50 pm
King For A Day, part 2/?  
Title: King For A Day, 2/?
Character(s)/Pairing(s): Shosanna/Fredrick, mentions of Fredrick's sisters
Rating: PG-13, violence and mentions of death
Word count: 1756
Summary: Continuing with King For A Day, Shosanna and Fredrick both make decisions that will change the course of their lives.
Warnings: It'd be best to start with King For A Day, of course. The script references linked in part 1 carry over into part 2 (and into the overall story). I'd also like to thank [livejournal.com profile] bourbonights for their feedback and encouraging me to continue this story.

The story so far: | information/cast post | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10 |





Is this how it is for Sergeant York?

Fredrick Zoller was a war hero. Fredrick Zoller was a film star. Fredrick Zoller was only nineteen years old and alone in Paris. He was amongst fellow countrymen as they, he, were the opposing forces and occupying France. They all loved and admired him, but Fredrick, ever the fast learner, soon came to find that it was lonely at the top. Sure, he was frequently stopped wherever he went, but it was only for autographs and near endless flattery; it seemed as though none of them sought to befriend Fredrick or to even engage him in mundane conversation. All they wanted to ask of him was what it was like to be secluded in the bell tower, where the only option was to kill, and what it was like to be lauded for it. He knew how to fake a brilliant smile and restrain himself from answering,

"It was hell."

Fredrick sighed. The lonely beauty of the city at night was once his only consolation; but now he had something more to live for.

~


Fredrick was free to wander the city in return for all of the publicity he had done for Goebbels on behalf of the Reichsminister's forthcoming masterpiece, Stolz der Nation. His destination that night shone like a beacon, bright and blinding: Le Gamaar theater. Out of all of the sights in Paris, Fredrick found the little theater to be the most striking of all; as he stood before it, he could feel its reverence for film, and it was hypnotizing.

Immediately, Fredrick was reminded of home, of being tucked away in the projection booth of Das Kino Haus, marveling at that night's feature, be it a Conrad Veidt or Bridget von Hammersmark film; films were Fredrick's escape, and he had come to know and love their entire collection of 400 film prints, even being able to recite the majority of them by heart. Just as Das Kino Haus would be his sanctuary in Munich, so would Le Gamaar be for him in Paris.

And what luck! That night's feature was the Leni Riefenstahl film, Die weiße Hölle vom Piz Palü. Noting that it was to start within ten minutes, Fredrick anxiously made his way inside to the lobby to purchase a ticket. Once inside, Fredrick was halted in his tracks, taken aback by the young woman working there. She looked every bit the gamine, dressed in slacks and a brown cardigan worn over a button-up shirt. She appeared to be a little older than he; petite and delicately built, with pale skin, large green eyes, and golden, wheat-colored hair pulled back and up messily from her face, which accented her gorgeously defined facial structure. Underneath the soft lighting of the lobby, she positively glowed.

Their exchange was brief and she was professionally polite as she handed him his ticket; her fingertips brushed against his, igniting something in Fredrick, something he had not ever felt before. He did not even get a chance to ask her for her name as the woman excused herself, leaving Fredrick to watch, awe-stricken, as she ascended the staircase and headed for the projection booth. Hurriedly, he took his seat in the auditorium in the front, near the screen.

And there Fredrick sat for the duration of the film, smiling stupidly and hardly believing his fantastic luck. An hour after the feature ended, Fredrick would emerge from the shadows and approach her, perched on a ladder; it was almost Shakespearean in its magnitude, and it would be the inadvertent start of a series of events which would change both of their lives.

~


Bodies, contorting unnaturally; there was no grace, no beauty in their deaths. Broken, bloody, faces twisted in agony. With brutal precision, he picked each one of them off. He was not a cold-blooded killer, not even a man ravaged by years of service to his country. He was a boy, trapped and cornered like a frightened animal in a nearly unwinnable situation with only one objective: survive. He wanted to live to see his sisters; he wanted to live to return to the projection booth to show the newest Humphrey Bogart film, and most of all, he wanted to out-live this war. Driven by fear and determination, Fredrick Zoller was the single survivor in a sea of corpses.

Shosanna had witnessed this spectacle three times now; each time, her stomach knotted a little harder, she gripped the arm rests a little tighter, and she sank a little lower in her seat. But each time, her heart ached with the same excruciating intensity. Stolz der Nation was Goebbels' newest, lavish production, an embellished re-telling of the heroics of the lone German soldier beating back the Allied forces.

Yet within the young man's eyes, Shosanna recognized something within their depths, a flicker of something that tore into her. She knew well enough just how fragile humans could be.

~


Fredrick's sisters back home in Munich wrote to him regularly, but they rarely touched upon the subject of that weekend in Italy; their only concern was that he was out of harm's way. His most recent letter came from his third oldest sister, Gerda. She wrote to update Fredrick about the everyday occurrences at home, about Das Kino Haus, about every little detail concerning the books she was reading, and about Annaleisa's latest cooking experiment. Gerda then closed with her usual plea, which grew more and more insistent with their every passing communication,

"Fredrick, please stay safe."

Her handwriting was so careful and elegant that Fredrick must have read her letter over fifty times now and each time, he was on the verge of tears. He shared the same concerns as his sisters did, wondering on those nights that were not plagued by nightmares, those nights where he truly felt insignificant,

"Am I going to be okay?"

~


It wasn't right that he would die that night, now that Shosanna knew the real Fredrick.

What gave him the right to do this to me?

Their fates were now intertwined; the German War Hero and the Jewish Girl were bound together. As Shosanna prepared the final reel, she reasoned with herself; after all, he too, would know the truth.

Fredrick Zoller will know Shosanna Dreyfus. My face will be the last he sees.

It was only fair.

~


This wasn't supposed to happen. Not like this, no, not like this…

Distracting him with honeyed words gave her the edge she needed, yet within that split-second, Shosanna realized that she could not bring herself to kill Fredrick Zoller. As he turned back around, his beaming face fell into confusion and shock. Though Shosanna stood stiffly, her posture ram-rod straight, her pistol still trained on him, and her face blank, she was losing her composure. Fredrick could see it in her eyes, that same flicker which was ever-present in his own.

He raised his trembling hands up defensively and kept his voice low and calm,

"Emmanuelle?"

Shosanna's jaw clenched and she swallowed hard.

Fredrick tried again, his voice growing shaky and panicked,

"Emmanuelle, please, I - if you are part of the French Resistance - I told you what I did in the strictest of confidence that I…"

She interrupted him, her voice hushed and wavering,

"Shosanna."

Fredrick's brows stitched together, his mouth agape.

Her voice now came out louder, clearer,

"Shosanna. Shosanna Dreyfus. I am Shosanna Dreyfus."

Fredrick's body grew limp and heavy, his voice barely above a whisper,

"Jewish?"

She thought she would be the one to crumble, but whereas Fredrick went slack, Shosanna stood tall and defiant.

"Oui," she replied coolly and firmly, "I am Jewish."

Shosanna then lowered her pistol, determining that he would pose no threat to her. Fredrick opened his mouth to speak, but no words would come; he appeared stricken and ashamed, but not for her. However, Fredrick did not turn away from Shosanna; instead, he steadied himself and met her gaze. A compelling silence fell over them, lasting only seconds, but for what felt like an eternity. It would be his voice that would break through it.

Who wants to send a message to Germany?


Shosanna stood straighter, held her head higher, and regarded Fredrick intently as she answered back,

I have a message for Germany.


Fredrick's eyes widened, as he looked upon her with disbelief.

"Shosanna…?"
That you are all going to die.


Shosanna took in a shuddering breath.

And I want you to look deep into the face of the Jew that is going to do it!


"Please, Fredrick," she simply requested of him, "let me have this."

Steeling his nerves, Fredrick nodded. Words, as always between Shosanna and Fredrick, were insufficient. It was with a succinct response that he gave her his full compliance, as nothing less would do,

"Oui, Shosanna."

With that, an understanding was reached between them.

Marcel... burn it down.


Offering her a quivering hand, Fredrick allowed for Shosanna to lead the way out of the theater, turning their backs on their pasts, leaving it all to burn.

~


My name is Shosanna Dreyfus and this is the face of Jewish vengeance!


He wasn't quite certain how exactly they were able to escape intact. All Fredrick knew was that he trusted Shosanna to save them both; pulling him with urgency through hallways and stairways, the sound of machine-gun fire and screams intermingled with her laughter, the smoke and rising inferno at their backs. They had survived, but just barely. Now here they stood in the street, a safe distance away, watching as Le Gamaar exploded into flames.

The world around them came to a standstill, as everything, the years of suffering, the anguish, was coming to an end, right before their eyes. It was all that they both wanted; but now, with their goals actualized, neither knew what to anticipate next, nor did they know exactly how to react. They could not find it within themselves to laugh or to sob, instead, the German War Hero and the Jewish Girl remained quiet. Where words were lacking previously, they now were unnecessary.

As their adrenaline died down along with the blaze, Fredrick looked over to see that he was still grasping Shosanna's hand; he then raised his head up to see her watching him, a nearly indecipherable expression on her face. Then, ever so slightly, Shosanna gave him an assured nod of her head. In return, Fredrick managed to give her a smile. Whatever was to come next, neither was going to be alone.


 
 
se sentent: creative
où: WORK.
 
 
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[identity profile] la-belle-ange.livejournal.com on December 19th, 2009 11:24 pm (UTC)
I love the twist of her deciding not to shoot him. Keeping the fic rooted in the film and changing that one detail makes it believable. If only it had really happened. :(

♥ as always.
http://suspiriorum.livejournal.com/: A song to break your heart to[identity profile] suspiriorum.livejournal.com on December 20th, 2009 06:03 am (UTC)
Aw, thanks ♥

I'm glad I decided to continue KFAD, as there was enough to work with in film canon that can also help me break off into an AU setting without getting outlandish or out of character. They'll be on their way to Munich and getting re-acquainted with each other, which is something I've been going over in my mind ever since seeing IB.
[identity profile] piecesofalice.livejournal.com on December 20th, 2009 05:49 am (UTC)
There's enough here to write even the most epic of broken love ballads. I'm so glad you're continuing, because you have Fredrick's voice down pat - no excuses, but lots of them to himself - and the twist of them surviving is so viable, it makes my heart ache.

You're awesome, and stuff. <3
http://suspiriorum.livejournal.com/: Why the want for all that I can't touch[identity profile] suspiriorum.livejournal.com on December 20th, 2009 06:24 am (UTC)
Like sister, like brother (I can't stress enough how much I ♥ the Zollers). I had a bit of writer's block for a while, but it all came together, finally. It'll take some time to establish a proper emotional connection between Shosanna and Fredrick, as they're basically going to end up getting to know each other all over again but I'm having fun with it (especially when they get to Munich).

you have Fredrick's voice down pat

Getting he and Shosanna correctly has been intimidating at times, especially Fredrick, as he's so layered and damaged as Shosanna is, yet he retains a certain naïveté. Get him wrong, and the Sho/Fred dynamic is ruined.

and the twist of them surviving is so viable, it makes my heart ache

I should be more careful with giving you heart aches and palpitations because then you'll keel over at your Mac and then what will I do?!

You're awesome too, you know. ♥

Oh, look, another song for them:

[identity profile] piecesofalice.livejournal.com on December 20th, 2009 02:19 pm (UTC)
I just finished my Yuletide, so I can get back to The Zollers and Wicki's Amazing Adventure without feeling guilty. Because I love the Zollers and their heart-breaking angst, too, and was up to Helga/Wicki sexy tiems and hello. <3

Getting he and Shosanna correctly has been intimidating at times

I wonder if this is why I am so scared (for lack of a better word) to write and post anything. Because I guess you and everyone else are doing such a good job, that I don't feel like I could do them justice! The red dress fic is just there, mocking me, because yeah, if you write them even slightly wrong, it ruins the whole thing. Luckily, you're doing a good enough job for both of us, missy.

Yes, you should be concerned about my poor heart, so don't write anything like them having sex in an elevator or a song set to a Hawksley Workman song or I may die. [/Br'er Rabbit in a briar patch]

WEIRDO PSYCHIC MIND-MELD MOMENT: I was listening to the new Muse album last night and HI, this song. I want to/Reconcile/The violence in your heart *DED* ~great minds etc~ Also: awesome vid song y/y?
http://suspiriorum.livejournal.com/: I'm a heartbreak beat[identity profile] suspiriorum.livejournal.com on December 20th, 2009 09:59 pm (UTC)
YES. Helga/Wicki sexytimes. But if they get too loud, then Fredrick will throw a boot at the wall and tell them to stop it. Then Wicki will later remind Fredrick that one day, he'll feel the same way about a theater proprietor, which will just confuse the boy.

I still don't know how it happened that writing them is so easy (poor choice of word?) for me, as I've been moved by characters before (oh, hello, Ozymandias), but I was also given a horrendous urge to write them. So I did, but then my brain kept screaming at me to keep going, so I do. If I don't have some work-in-progress on them, I feel all anxious about it. But you should totally write them, YES, YOU SHOULD. I love the dress idea and would love to see it written and by not writing it, you disrespect Shosanna and Fredrick at your peril, and no, I will not turn around to lock the door.

I've been wanting to write more Sho/Fred sexytimes, so now I will have to think of a way to properly plot it and plausibly set it in an elevator. And as they straighten themselves up, they're greeted by Marcel, who eyes them suspiciously (or by Creeper Hellstrom).

When I was finishing up part 2 here, I had itunes on shuffle and aside from Un Amico, Mumford & Sons had to come barging in with Blank White Page. Even my music is conspiring against me.

When Matt Bellamy isn't wrapping his head in tinfoil for fear of the reptilian folk coming for him, he's enjoying Shosanna/Fredrick style romances because this is my third Muse song going on a Sho/Fred playlist, so perhaps I've been writing him off as a crackpot (albeit, a lovable one) too soon?

Those lyrics are so perfect, especially since my fanmix theme is relegated to the projection booth, but what really jumped out at me was, You trick your lovers that you're wicked and divine/You may be a sinner/But your innocence is mine because it's so true for them.

OUR MINDS ARE MORE THAN GREAT. We're awesome, is what.
EDIT: I'm so proud of it: http://pics.livejournal.com/butchiemcgee/pic/000ddsfb

Edited 2009-12-20 10:25 pm (UTC)
[identity profile] piecesofalice.livejournal.com on December 21st, 2009 02:45 pm (UTC)
WAIT

WAIT

WHAT IF WICKI WENT INTO THE FUTURE AND MET SHOSANNA AND THEN WENT BACK AND TOLD FREDRICK?! AND HE WORE TINFOIL AND SAID "THIS IS THE FUTURE, FREDRICK" AND WAVED HIS ARMS AROUND? OH OH AND WHAT IF WICKI WAS FREDRICK'S DAD BECAUSE HE WENT BACK FURTHER IN TIME? AND WAS ALSO HELLSTROM'S DAD? AND...LANDA'S? *cue Bowie's 'Spaceman'*

ACTUALLY, CUE:



This is why we can't have nice things I'm not allowed to write fic. SPACE!WICKI IS GO

Elevator sex is the only sexy tiems you can write, I've decided it's so. Even better if it's both Hellstrom and Marcel that eye them suspiciously, as it's while they're supposed to be watching Lucky Kids. Extra points if you get Prince's "Let's Go Crazy" in there.

Your playlists get more and more epic, brava. The inclusion of 'Forever Young' gives me the sniffles, I won't lie.

I should go to bed. But how can I when this is open in a window:

Slowly, he moved his hand down her face, her neck, across her collarbones; his fingers left trails of heat as she found herself unable to move under his touch, her breathing becoming slightly laboured as his palm skimmed across the front of her plain white blouse. His eyes never left hers, his lips parted slightly as he looked to her like she was the only thing he had left to discover.

GET IT WICKI. GET IT, BEFORE YOU GO INTO THE FUTURE AND I WRITE MORE PURPLE PROSE-ROMANCE NOVEL DRIVEL
http://suspiriorum.livejournal.com/: I am just a man[identity profile] suspiriorum.livejournal.com on December 22nd, 2009 05:45 am (UTC)
TIME-TRAVELING WICKI? I HOPE HE HAS A DELOREAN. HE CAN ALSO TELL STIGLITZ THAT HIS SON IS SAVING THE WORLD WITH SQUIDS AND IS TOTALLY FABULOUS IN THE '80S. BUT IF WICKI WERE LANDA'S FATHER, LANDA WOULD BE HOT. AND NOT SUCH A DICK. BUT IT WOULD MAKE THE HELLSTROM/LANDA FIC TOTAL LOLZ (MORE THAN IT ALREADY IS) AND WOULD THEN TURN INTO TARANTINO'S CHINATOWN.

Oh, goodness. I'm working on it for you, as it turns out, they like to do it everywhere. I think you'll also enjoy their creative projection booth shenanigans. You will also be pleased to know that the Hawksley Workman song, We Will Still Need A Song is responsible for the fic (and is the title! Weeee!). Le Gamaar does not have an elevator, though, as Madame Mimieux probably predicted that such a thing would happen if it did (Wicki warned her).

I love that playlist so much and every song is perfect and YES. BRMC and Bowie are tailor-made for Sho/Fred too, considering some lyrics from Complicate Situation:

Well everything's so different now, this scream which fills the air,
And haunts the hall which children sleep upon the floor,
They'll have the gun, you'll hear them say with smiles meant to cry

and

The young must be our sacrifice, they say with crippled grins,
The eyes of youth must lose their way and stumble here within,
So the sleeping children were awoke, in time to haze their eyes

WRITE MORE WICKI/HELGA SEXYTIMES. GODDAMN. Also, if you're time-traveling Wicki, please save Sho/Fred and dump them off at a nice cottage in the countryside.
[identity profile] piecesofalice.livejournal.com on December 22nd, 2009 01:30 pm (UTC)
HELLZ YEAH HE HAS A DELOREAN! THAT SHIT IS PIMPED OUT FULLY, WITH DICE HANGING FROM THE MIRRORS AND CHROME. IN FACT, HE TOOK HUGO TO THE FUTURE, HE HAD ~TEH TIEMS~ WITH OZY'S MUM AND THEN THAT'S A BINGO!

Time Travelling Wicki pales - slightly - with the film I watched today. It has Gedeon in it, and I had my capping finger a-ready (you know I love me some sweet manips), then - he started singing. For no apparent reason. Then had a cramp.

Fast forward to 7:30. WAT.



That's it, I'm changing the fic to an awesome futuristic musical.

Hawksley AND elevator sex?! I'm going to need to have a doctor on hand, aren't I. When will this be posted? NOW NOW NOW. And your playlists are always so spot on, I could spend the rest of my life quoting from them. <3

And the H/W sexy tiems are just goin' to keep happening if I have this to inspire me:





Lucky they both like being naked and/or in bed in their films, right?
[identity profile] sweet-iolanthe.livejournal.com on May 19th, 2010 07:56 pm (UTC)
The last moment was so much love. Thank you.

Photobucket
http://suspiriorum.livejournal.com/: I close my eyes and I drift away[identity profile] suspiriorum.livejournal.com on May 20th, 2010 03:49 am (UTC)
Thank you. I have to admit, when I continued on with the story, I wasn't sure where exactly to take it, so the last part was the best way to wrap up part 2.

You're welcome ♥