06 May 2010 @ 02:06 am
Film #1  
April 7 - May 6


Next upload coming soon. Post still open for any further discussion.






Purple Butterfly

Directed by Lou Ye
Starring Ziyi Zhang, Toru Nakamura
2003
Run time: 2 hours, 8 minutes
Chinese, English subtitles
Rated R for sexuality and violence


Synopsis:

Cynthia is a young Chinese woman in love with a Japanese man, Hidehiko Itami, a laborer about to be sent home for military service. Devastated, she moves back home to Shanghai and to her brother, a writer and publisher of an underground resistance newspaper. After he is murdered in an attack by the Japanese extreme right, Cynthia becomes Ding Hui and joins a secret resistance group; the same group that, years later, will plot to murder her former lover, now an officer with a secret police group, tasked with dismantling her group.


Director's statement:

This is a story that took place in the early 1930s. In the last century. More than 70 years have passed. But when you try to return to those days - to make a movie or tell a story - you quickly discover that nothing much has changed. The people of that period faced more or less the problems we face today. Our lives are still chaotic, still hard to grasp or control. Just like a movie, a story or a character. Sometimes we may feel uneasy, troubled, even desperate when we lose control, but sometimes it doesn't feel bad at all. Because it allows us to think about the past, the present and the future in peace; to think about what has happened and what will happen; about those who lived and those who will live. You feel that maybe that's the way things are. Everything is possible. The story can take place at any time and end at any time. All we can do is try to prepare ourselves for it.

Lou Ye


Cast:

Ziyi Zhang - Cytnhia/Ding Hui

Hidehiko Itami - Toru Nakamura

Yuanzheng Feng - Xie Ming

Ye Liu - Szeto

Li Bingbing - Tang Yiling

Kin Ei - Yamamoto


Some notes:
I must point out that the film is far more intricate than the synopsis indicates (which I put together from the back of the DVD case and from imdb). The film is non-linear at points and sparse on dialogue, and it is the kind of film you have to allow yourself to be absorbed in (or at least watch it without other distractions). It's one of the most beautiful films I've seen in quite some time, as it is very dream-like and poetic.

I will warn you now that the closing of the film features actual footage of war atrocities committed by the Japanese upon the Chinese. It's not horrifically violent, but the imagery is striking.

Screencaps:









Trailer:



Downloading films from box.net is the same as downloading anything else I've uploaded to it. Depending on your internet connection, it can take up to a few hours to fully download. The file is a Divx .avi format, so it is viewable in a variety of media players. I downloaded the film after uploading it and there are no issues with the file, however, if you have trouble viewing it, you will probably need to download the Divx codec.

DOWNLOAD


If you have any further comments or questions, then reply to my comment below.

After watching the film, we can discuss it in this post. To get the ball rolling, you can reply to my query posted further below.

Since this is my first attempt at something like this, if the comments erupt into mass chaos, that's fine too.

 
 
se sentent: awake
où: HOME.
 
 
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http://suspiriorum.livejournal.com/: Carried away[identity profile] suspiriorum.livejournal.com on April 7th, 2010 06:55 am (UTC)
General comments/questions:
[identity profile] theblackmeat.livejournal.com on April 15th, 2010 11:25 am (UTC)
I'm putting this at #1 on my Netflix queue; we haven't had a good conversation in forever which is, honestly, most of my motivation for wanting to see this film ASAP.
[identity profile] theblackmeat.livejournal.com on April 24th, 2010 10:25 am (UTC)
I'm about half an hour into it right now.

it is the kind of film you have to allow yourself to be absorbed in (or at least watch it without other distractions).

It's funny, but I was actually thinking something like this-- that it's probably a good film, but that it should be watched at a theater or at least in an environment without other activities going on (which I don't have access to right now). I'm enjoying the film's more superficial aspects-- its lingering, fluid camerwork and its rainy blue hue-- but, other than that, I feel like the it is just whooshing by me.

P.S.- I'm working on some fanmixes. It's my first time fanmixing. Got any tips?
http://suspiriorum.livejournal.com/: She don't fade[identity profile] suspiriorum.livejournal.com on April 26th, 2010 04:56 pm (UTC)
It's the kind of film that took me a couple viewings and I do agree to an extent with one of the criticisms being that the film needed some editing, but overall, I think it's a good film. I love the use of color, lighting, sound, music, and the subtle performances. I love the restraint between Cynthia and Itami; it's clear that the depth of their feelings for one another goes quite deep, but in their circumstance, they cannot openly display affection. The moments where you see how vulnerable they truly are beautiful, and the climax of them at the party is my favorite part of the film.

I also love how how the film focuses on a core of group of characters; I've finally begun to enjoy films with large ensemble casts, but ultimately, I love films with insular relationships and intercations such as in Purple Butterfly.

With fanmixes, I can take up to a month or so to compile them. I go through everything in my itunes that I find suitable, make a playlist, then I narrow it down. Of course, I've not been so enamored with two fictional characters in such a long time that I'm a bit insane about it.

However, I use compiling fanmixes as an opportunity to rediscover/discover music I hadn't given much thought to before/new music, so I keep my options open. I give absolute importance to lyrics, as every single word and line has to relate to the character(s) and their story arc. Instrumentals have similar criteria, as they have to evoke imagery/emotions pertaining to the character(s) and storyline.
[identity profile] theblackmeat.livejournal.com on April 26th, 2010 05:03 pm (UTC)
It's so good to hear from you! I've really missed our commentversations.

However, I use compiling fanmixes as an opportunity to rediscover/discover music I hadn't given much thought to before/new music, so I keep my options open.

I enjoy that sensation--listening to a song I've heard a million times before with a new ear and finding a new meaning. I've encountered it a few times so far. Right now I'm doing a series of 10-track mixes relating to different Lost characters.

Remind me, have we ever discussed Der Baader Meinhof Komplex?

P.S.- "Intercations" was meant to be "interactions," wasn't it? I'm not nitpicking; just making certain I'm not missing out on a new word.
http://suspiriorum.livejournal.com/: Electric blue[identity profile] suspiriorum.livejournal.com on April 26th, 2010 06:22 pm (UTC)
I've been under the weather and bogged down in my research for my personal project, so I've not been very active around here lately, which I miss.

I ridiculously enjoy making fanmixes, which I then listen to for about a month straight. I've realized my love for certain songs and musicians that I took for granted before.
Right now I'm doing a series of 10-track mixes relating to different Lost characters.
I'll have to check those out, along with Lost. I'm being urged by others to watch it, and finding the time to is the only issue.

Remind me, have we ever discussed Der Baader Meinhof Komplex?
Not yet, though I do know you have seen it. I still have yet to, as I'm relegated to documentaries on the occupation and such, but the film really does tie in with WWII, too, so I'll have to make time for it, as well.

I meant interactions. I end up creating new words from typing too fast (and I'm at work, so I'm trying not to monopolize the computer at the front desk).
[identity profile] theblackmeat.livejournal.com on April 26th, 2010 09:46 pm (UTC)
I've been under the weather and bogged down in my research for my personal project, so I've not been very active around here lately, which I miss.

Of course, my intent wasn't to guilt or otherwise pressure you. I just don't often miss my LJ acquaintances when they go missing for a week or two, so I therefore felt it was worth commenting on.

Not yet, though I do know you have seen it. I still have yet to, as I'm relegated to documentaries on the occupation and such, but the film really does tie in with WWII, too, so I'll have to make time for it, as well.

HAH! I saw an excellent German movie before you did.

I've been on a minor WWII kick lately: The Goebbels Experiment Saturday, and now The Pianist today. I've already seen The Pianist four or five times; everything of Roman Polanski's is worth seeing as many times, don't you think?

P.S.- Do tell me if you ever do get into Lost. It's one of my primary fixations at the moment, partially because it's ending forever in less than a month. Which character are you most like? Maybe Daniel Faraday.

Edited 2010-04-26 09:49 pm (UTC)
http://suspiriorum.livejournal.com/: Could be I'm losing my head over you[identity profile] suspiriorum.livejournal.com on May 1st, 2010 12:02 am (UTC)
Oh, I understand. I just feel bad when I'm not around enough for friends. My conscience is extremely active.

I had downloaded it eons ago, but the subtitle file wasn't working, which meant I'd have to import the film into imovie and then put in the subs myself. I was actually up for doing that, but I didn't have the time. Then it came out on DVD, so that was the end of that.

I've not seen The Pianist, but I love Polanski's work. I'm still new to WWII films, as unfortunately, it's taken a Tarantino film to pique my interest. I'm most interested in the Resistance efforts and the plight of the French during the occupation (women, in particular), which has led me to buying Army of Shadows, Hiroshima mon amour, Black Book, and two documentaries recommended to me from a history professor who noticed my research at work: The Eye of Vichy and The Sorrow and the Pity. Both documentaries consist of footage during the occupation, which I'm excited for. I'm attempting to watch all of these films this weekend and get to typing up all of my notes I've taken from all of my reading. Tonight I'm starting with The Eye of Vichy and Black Book.

I'll be sure to, as one of my other friends, [livejournal.com profile] delarges has been one of my motivators in watching Lost. Now that I'm getting the bulk of my research taken care of, I'll more free time. However, I also ordered the entire series of Twin Peaks, which I want to immerse myself in.

Which character are you most like? Maybe Daniel Faraday.
I won't object to that comparison, as I love Jeremy Davies.
[identity profile] theblackmeat.livejournal.com on May 1st, 2010 01:06 am (UTC)
My conscience is extremely active.

Mine too! It's a bastard of a thing to be saddled with, isn't it?

I had downloaded it eons ago, but the subtitle file wasn't working, which meant I'd have to import the film into imovie and then put in the subs myself. I was actually up for doing that, but I didn't have the time. Then it came out on DVD, so that was the end of that.

I remember renting this copy of Downfall in Australia that had the most appalling subtitles this side of Backstroke of the West, but that's another story.

I'm still new to WWII films, as unfortunately, it's taken a Tarantino film to pique my interest. I'm most interested in the Resistance efforts and the plight of the French during the occupation (women, in particular)

I, on the other hand, tend to home in on things like propaganda. I must confess also getting a little gratification out of the whole Nazi thing because it confirms my worldview. "See? See? Humans really are insane!"

By the way, please recommend to me any WWII/French resistance/etc.-relevant films you think I should put on my Netflix queue.

I'll be sure to, as one of my other friends, delarges has been one of my motivators in watching Lost. Now that I'm getting the bulk of my research taken care of, I'll more free time. However, I also ordered the entire series of Twin Peaks, which I want to immerse myself in.

Both worthy pursuits. Feel free to direct [livejournal.com profile] delarges to me; when I broke up with [livejournal.com profile] velvetgunpowder I lost my only really obsessive lostie friend.

I really ought to put Twin Peaks on top of my Netflix queue, come to think of it...
http://suspiriorum.livejournal.com/: You're so cinematic[identity profile] suspiriorum.livejournal.com on April 7th, 2010 06:57 am (UTC)
So what did you think?
[identity profile] notexotic.livejournal.com on May 4th, 2010 04:19 pm (UTC)
I've really got to thank you for posting this excellent film because otherwise I'm not sure I would have ever seen it. Zhang Ziyi's face is incredible; she can convey so much without even speaking. That interminable rain created such a palpable atmosphere of tragedy, and I think even within the first few minutes it's apparent that nobody is going to escape fate.

I've not watched it, but Lust, Caution deals with similar material and is also supposed to be very good.
http://suspiriorum.livejournal.com/: I can feel the weight deep down below[identity profile] suspiriorum.livejournal.com on May 9th, 2010 03:49 am (UTC)
You're very welcome! It's one of those little films that slips under the radar and maybe only shows up on IFC late at night.

There's a sense of inevitability right from the start, even though I tried as much as I could do deny it. Just as you said, Ziyi's face is incredible; I was always a fan of hers, but her performance as Cynthia/Ding Hui is breathtaking. The restrained passion of her relationship with Itami is heartbreaking and I am in love with the climax of the film at the party. They both desperately want the same thing, but there is no easy solution; his expression, his resignation as she backs away from him is one of my favorite moments in the film, along with their final, silent exchange.

I also appreciated the added plight of the average civilians being pulled into this situation. I worked my way through my history books on the occupation of France, and really, the plot of Purple Butterfly could be mirrored in any other war film: collaborators, resistance, and civilians just trying to get by.

I have yet to see Lust, Caution as well, but my dad has (he's the one who recommended Purple Butterfly), and he noted similarities between the two films. He also recommends it.